So watching a blinking cursor doesn’t get a blog entry written. If it did, I would have so many missing blog entries written.
It’s been six months since my last blog entry, and so much has happened, and yet so little?
I’ve worked through a tremendous art block, worked on pages like a madwoman, gotten incredibly sick, re-injured myself, and I could go on and on. Like I said, a lot.
But instead of cramming everything into one blog entry, I’m going to try to spread things out a little bit so I have, you know, other blog entries to write in the next coming weeks.
So how did you break out of your art block?
In some ways, I’m still kind of in it if I’m going to be honest. But I stumbled upon Juicy Ink’s 30 Day Sketchbook Challenge (which you can watch in all one convenient playlist here) just as she started it, and went through the journey with her, and realized 1) I too have not been giving my sketchbook the attention it needed, 2) I haven’t played with any new techniques in quite a while, 3) I was going a little crazy constantly working in black and white and I desperately needed to play with some color 4) If I didn’t start to try to break this block, I would be SOL when it came to summer convention time (which *cough cough* is coming up very quickly on my heels, compounding the pressure to produce things, making the block all the worse).
Because I was struggling with some anatomy on the pages of T♥S, I decided to focus on that to begin with. Most mornings for the last two months, I’ve spent around half an hour doing anatomy studies ranging from one to five minute sketches. But not without guidance. I’ve been re-reading the Loomis books in my spare time and taking notes. This has resulted in a 100 page sketchbook almost being filled in this time– which is something I haven’t been able to do since SCAD.
The massive improvement under these few weeks of dedication cannot even be expressed. But the more important part is that it allowed me to make some ugly drawings, which is something that I don’t normally do. I usually will abandon a drawing if things look wonky the instant it does, but I forced myself to at least finish it, and then identify what went wrong.
Things I learned:
- I draw heads small to over compensate my tendency to draw heads big when I’m working without a reference. This is something that I will never understand why I do, but I’m getting better at keeping the head size consistent with the rest of the body.
- I draw too fast sometimes. I start to rely on what I know, and not what I’m observing. I used to be much better about this, but I think it’s because I have such a limited amount of time to work on things now, so I don’t want to waste time observing (perish the thought!) and that’s a really bad habit to get into– thus I’ve spent most of this time trying to get myself OUT of that habit. Because of my short time allowance for art, I also start to get impatient with anatomy studies after about 30 minutes. It’s staggering to think I used to take a two and a half hour class on it twice a week in college, and now here I am struggling to make it half an hour. Is it my attention span? Is it because I want to work on other things? When did doing such basic studies become so hard to do?
- My anatomy skills are even rustier than I thought, and I need to keep this up.
But that was just the beginning. Next, it was time to mix it up a bit– which I’ll talk about in my next entry.